Welcome to the bookshelf a personal project to explore various book related APIs including goodreads.com, the Guardian's Open Platform and alibris.com.Latest from Guardian on books Science Fiction Master Works Series
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Published over 100 years ago, this is one of Wells's greatest novels, and the only one of his scientific romances to embrace space travel.
Thanks to the discovery of an anti-gravity metal, Cavorite, two Victorian Englishmen travel to the Moon, where they encounter the extraordinary underground world of the Selenites, insect-like aliens living in a rigidly organised hive society.
Tepper's finest novel to date is set in a post-holocaust feminist dystopia that offers only two political alternatives: a repressive polygamist sect that is slowly self-destructing through inbreeding and the matriarchal dictatorship called Women's Country. Here, in a desperate effort to prevent another world war, the women have segregated most men into closed military garrisons and have taken on themselves every other function of government, industry, agriculture, science and learning.
The resulting manifold responsibilities are seen through the life of Stavia, from a dreaming 10-year-old to maturity as doctor, mother and member of the Marthatown Women's Council. As in Tepper's Awakeners series books, the rigid social systems are tempered by the voices of individual experience and, here, by an imaginative reworking of The Trojan Woman that runs through the text. A rewarding and challenging novel that is to be valued for its provocative ideas.
Two dystopian satires from one of the most distinguished writers of 20th-century European science fiction. R.U.R. is the work that first introduced the word 'robot' into popular usage.
Written against the background of the rise of Nazism, War With the Newts concerns the discovery in the South Pacific of a sea-dwelling race, which is enslaved and exploited by mankind. In time they rebel, laying siege to the strongholds of their former masters in a global war for supremacy.
R.U.R., or Rossum's Universal Robots, seen by many as a modern interpretation of the 'golem' myth, is regarded as the most important play in the history of SF. It introduced the word 'robot' and gave the genre one of its most enduring tropes.
Sirius is Thomas Trelone's great experiment - a huge, handsome dog with the brain and intelligence of a human being. Raised and educated in Trelone's own family alongside Plaxy, his youngest daughter, Sirius is a truly remarkable and gifted creature. His relationship with the Trelones, particularly with Plaxy, is deep and close, and his inquiring mind ranges across the spectrum of human knowledge and experience. But Sirius isn't human and the conflicts and inner turmoil that torture him cannot be resolved.
The commander of the Earthpeople's Alliance journeyed into the bizarre depths of Transport Town to seek Rydra Wong, the cosmic poetess whose words reached across space and whose mind could perceive the meaning of all the world's tongues. And his request placed her into the heart of the vile interstellar war between the Alliance and the Invaders.
The new weapon of the Invaders was Babel-17, a menacing hum clogging up Alliance space communications. Rydra had to decipher the communications power of Babel-17 before it could lead to intergalactic defeat. And to do that, she would have to be the target of the next outer-space attack.
One of the very best must-read SF novels of all time.
'No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's...' So begins H. G. Wells' classic novel in which Martian lifeforms take over planet Earth. As the Martians emerge, they construct giant killing machines - armed with heatrays - that are impervious to attack. Advancing upon London they destroy everything in their path. Everything, except the few humans they collect in metal traps. Victorian England is a place in which the steam engine is state-of-the-art technology and powered flight is just a dream. Mankind is helpless against the killing machines from Mars, and soon the survivors are left living in a new stone age.
The war had been going on for nearly a year and the Sirian Empire had a huge advantage in personnel and equipment. Earth needed an edge. Which was where James Mowry came in.
If a small insect buzzing around in a car could so distract the driver as to cause that vehicle to crash, think what havoc one properly trained operative could wreak on an unsuspecting enemy. Intensively trained, his appearance surgically altered, James Mowry is landed on Jaimec, the 94th planet of the Sirian Empire. His mission is simple: sap morale, cause mayhem, tie up resources, wage a one-man war on a planet of eighty million.
In short, be a wasp.
First published in 1957, WASP is generally regarded as Eric Frank Russell's finest novel, a witty and exciting account of a covert war in the heart of enemy territory.
All his life, Al Barker has toyed with death. So when the US lunar programme needs a volunteer to penetrate a murderous labyrinth, alien to all human comprehension, Barker's the man to do it. But what is required of Barker is that he withstand the trauma of dying, not just once, but time and time and time again.
Edward Prendick is shipwrecked and finds himself stranded on an island in the Pacific. Here he meets the sinister Dr Moreau, a vivisectionst driven out of Britain in disgrace. And soon strange events cause Prendick to uncover the full horror of Dr Moreau's activities on the island.
THE ISLAND OF DR MOREAU mixes discussion on the divide between humans and the animal kingdom and chilling macabre horror in an unrivalled fashion. Its question on how far science should go is one that rings true today as it did when it was first published.
On a far future Earth, mankind's achievements are immense: artificially intelligent robots, genetically uplifted animals, interplanetary travel, genetic modification of the human form itself. But nothing comes without a cost. Humanity is tired, its vigour all but gone. Society is breaking down into smaller communities.
An accident restores the Dark Ages, and by the year 2029 the old have inherited the Earth. There are no more children, no young men or women. Huddled together in isolated villages, the old are prisoners of fear and superstition.
Swordplay, sorcery, strange visitations, unspoken secrets, and unsuspected truths are the components of this fantastical tale set in a mythical world -- a world supported by a huge pillar which is poised in the center of the vast an mysterious Deep. In this world the Protectors own the land and are constantly feuding with the Just, who wish to return the land to the Folk. The Protectors, however, are divided within themselves, the Reds against the Blacks, as bitterly opposed to each other as united they are opposed to the Just. After a typical skirmish between the Reds and Blacks, two Endwives, whose job it is to come after battles to nurse the wounded and bury the dead, find a strange being, a Visitor from the sky, nameless, sexless, with a purpose to fulfill unknown even to himself. It is the Visitor who one day will make the unthinkable journey to the Outward -- to the very margin of the Deep.
With his face swaddled in bandages, his eyes hidden behind dark glasses and his hands covered even indoors, Griffin the new guest at The Coach and Horses is at first assumed to be a shy accident-victim. But the true reason for his disguise is far more chilling: he has developed a process that has made him invisible, and is locked in a struggle to discover the antidote. Forced from the village, and driven to murder, he seeks the aid of an old friend, Kemp. The horror of his fate has affected his mind, however and when Kemp refuse to help, he resolves to wreak his revenge.
A mysterious disaster has stricken the midwestern American city of Bellona, and its aftereffects are disturbing: a city block burns down and is intact a week later; clouds cover the sky for weeks, then part to reveal two moons; a week passes for one person when only a day passes for another. The catastrophe is confined to Bellona, and most of the inhabitants have fled. But others are drawn to the devastated city, among them the Kid, a white/American Indian man who can't remember his own name. The Kid is emblematic of those who live in the new Bellona, who are the young, the poor, the mad, the violent, the outcast--the marginalized.
Dhalgren is many things, but instantly accessible isn't one of them. While most of this big, ambitious, deeply detailed novel is beautifully pellucid, the opening pages will be difficult for some: the novel starts with the second half of an incomplete sentence, in the viewpoint of a man who doesn't know who he is. If you find the early pages rough going, push on; the story soon becomes clear and fascinating. But - fair warning - the central nature of the disaster, of its strange devastations and disruptions, remains a puzzle for many readers, sometimes after several readings.
In Hellstrom's Hive, winner of the 1978 Prix Apollo, Frank Herberts vivid imagination & brilliant view of natural ecology has never been more evident.
America is a police state & it's about to be threatened by the most hellish enemy in the world: insects.
When the Agency discovered that Dr. Hellstrom's Project 40 was a cover for a secret laboratory, a special team of agents was immediately dispatched to discover its true purpose & its weaknesses.
What they discovered was a nightmare more horrific & hideous than even their paranoid government minds could devise.
A fast-moving space adventure featuring mysterious aliens, a journey to a de-populated planet, a mad run from space cops, a ship captain in trouble, and her AI (Artificially Intelligent) companion/ship's computer.
It is carnival time on Mars, but Tabitha Jute isn't partying. She is in hiding from the law, penniless and about to lose her livelihood and her best friend, the space barge "Alice Liddell". Then the intriguing Marco Metz offers her some money to take him to Plenty, and the adventure begins.
Winner of both the ARTHUR C. CLARKE AWARD for best science fiction novel of the year and the BRITISH SCIENCE FICTION ASSOCIATION AWARD for best novel of the year - the only book ever to win both prestigious British awards.
She awoke in an alley to the splash of rain. She was naked, a foot-long gash in her back was still bleeding, and her identity implant was gone. Lore van de Oest had been the daughter of one of the world's most powerful families...and now she was nobody, and she had to hide. Then out of the rain walked Spanner, predator and thief, who took her in, cared for her wound, and taught her how to reinvent herself again and again. No one could find Lore now: not the police, not her family, and not the kidnappers who had left her in that alley to die. She had escaped...but the cost of her new found freedom was crime and deception, and she paid it over and over again, until she had become someone she loathed. Lore had a choice: She could stay in the shadows - stay with Spanner - and risk losing herself forever. Or she could leave Spanner and find herself again by becoming someone else: stealing the identity implant of a dead woman, taking over her life, and creating a new future. But to start again, Lore required Spanner's talents - Spanner, who needed her and hated her, and who always had a price. And even as Lore agreed to play Spanner's game one final time, she found that there was still the price of being a van de Oest to be paid. Only by confronting her family, her past, and her own demons could Lore meld together who she had once been, who she had become, and the person she intended to be.
On a planet whose very nature is a mystery, a massive decrepit city is pulled along a massive railway track, laying the line down before it as it progresses into the wilderness. The society within toils under an oppressive regime, its structures always on the point of collapse, the lives of its individuals lived in misery.
When Becky Driscoll turns up at Dr Miles Bennell's consulting room after hours one August evening and tells him that her cousin Wilma doesn't think that her Uncle Ira is really her Uncle Ira, it is just the beginning of a nightmare. As the number of similar stories multiplies, Miles discovers the horrific truth.
Connie Willis' Hugo and Nebula Award-winning Doomsday Book uses time travel for a serious look at how people connect with each other. In this Hugo-winning companion to that novel, she offers a completely different kind of time travel adventure: a delightful romantic comedy that pays hilarious homage to Jerome K. Jerome's Three Men in a Boat.
When too many jumps back to 1940 leave 21st century Oxford history student Ned Henry exhausted, a relaxing trip to Victorian England seems the perfect solution. But complexities like recalcitrant rowboats, missing cats, and love at first sight make Ned's holiday anything but restful - to say nothing of the way hideous pieces of Victorian art can jeopardize the entire course of history.
Delightfully aided by the perfect comedic timing of narrator Steven Crossley, To Say Nothing of the Dog shows once again why Connie Willis is one of the most talented writers working today.
©1998 Connie Willis; (P)2000 Recorded Books
When tombstone engraver George Paxman is offered a bargain, he doesn't hesitate. His beloved daughter gets an otherwise unaffordable survival suit to protect her from radioactive fall-out and all George has to do is sign a document admitting that, as a passive citizen who did nothing to stop it, he has a degree of guilt for any nuclear war that breaks out. George signs on the dotted line. And then the unthinkable happens.
The world and everyone in it (survival suit or not) is destroyed in a nuclear Armageddon - except for George and five others who must now face prosecution from the great mass of humanity who will now never be born. And George Paxman stands accused in the name of all the people who stood by and never raised a finger to stop the horror of nuclear war...
Change or die: the only options available on the Durallium Company-owned planet GP. The planet's deadly virus had killed most of the original colonists - and changed the rest irrevocably. Centuries after the colony had lost touch with the rest of humanity, the Company returned to exploit GP, and its forces found themselves fighting for their lives. Afraid of spreading the virus, the Company had left its remaining employees in place, afraid and isolated from the natives.
Then anthropologist Marghe Taishan arrived on GP, sent to test a new vaccine against the virus. As she risked death to uncover the natives' biological secret, she found that she, too, was changing, and realized that not only had she found a home on GP - she herself carried the seeds of its destruction...
In the drowsy tranquility of Little Belaire, the Truthful Speakers lead lives of peaceful self-sufficiency ignoring the depopulated wilderness beyond their narrow borders. It is a society untouched by pain or violence and the self-destroying 'angels' of the past are barely remembered. But when Rush That Speaks leaves his home on a pilgrimage of self-enlightenment, he finds a landscape haunted by myths and memories. The overgrown ruins reflect a world outside that is stranger than his people ever dreamed.
A forgotten SF classic that exposed the pitfalls of voyeuristic entertainment decades before the reality show craze.
A few years in the future, medical science has advanced to the point where it is practically unheard of for people to die of any cause except old age. The few exceptions provide the fodder for a new kind of television show for avid audiences who lap up the experience of watching someone else's dying weeks. So when Katherine Mortenhoe is told that she has about four weeks to live, she knows it's not just her life she's about to lose but her privacy as well.
Only a few know the terrifying truth;an outcast Earth scientist, a rebellious alien inhabitant of a dying planet, a lunar-born human intuitionist who senses the imminent annihilation of the Sun. They know the truth but who will listen? They have foreseen the cost of abundant energy but who will believe? These few beings, human and alien, hold the key to the Earth's survival.
For the aliens, men and women are just a nuisance, neither civilised nor intelligent, and not a worthy adversary. In fact, they are regarded as vermin, to be exterminated. Which may just be humankind's strength and point the way forward.
Professor Redwood and Mr Bensington were unprepossessing men, leading lives of eminent and studious obscurity, scientists working away from the public gaze. Then they discovered Herakleophorbia, a substance that could nourish a possible Hercules. And became responsible for the most important development in the evolution of man. For they had found the Food of the Gods, and a new kind of human, intellectually and physically superior, became a wonderful and terrifying possibility.
A collaborative novel from the premier cyberpunk authors, William Gibson and Bruce Sterling. Part detective story, part historical thriller, The Difference Engine takes us not forward but back, to an imagined 1885: the Industrial Revolution is in full and inexorable swing, powered by steam-driven, cybernetic engines. Charles Babbage perfects his Analytical Engine, and the computer age arrives a century ahead of its time.
Gateway: an artificial spaceport, full of working interstellar ships left behind by the mysterious, vanished Heechee. They are easy to operate, but impossible to control. Some came back with discoveries which make their intrepid pilots rich; others return with their remains barely identifiable. It is the ultimate game of Russian roulette, but in this resource-starved future there was no shortage of desperate volunteers.
In a distant world gods walk as men, but wield vast and hidden powers. Here they have made the stage on which they build a subtle pattern of alliance, love, and deadly enmity. Are they truly immortal? Who are these gods who rule the destiny of a teeming world?
Their names include Brahma, Kali, Krishna and also he who was called Buddha, the Lord of Light, but who now prefers to be known simply as Sam. The gradual unfolding of the story shows how the colonization of another planet became a re-enactment of Eastern mythology.
For Kivrin, preparing an on-site study of one of the deadliest eras in humanity's history was as simple as receiving inoculations against the diseases of the fourteenth century and inventing an alibi for a woman traveling alone. For her instructors in the twenty-first century, it meant painstaking calculations and careful monitoring of the rendezvous location where Kivrin would be received.
But a crisis strangely linking past and future strands Kivrin in a bygone age as her fellows try desperately to rescue her. In a time of superstition and fear, Kivrin--barely of age herself--finds she has become an unlikely angel of hope during one of history's darkest hours.
Connie Willis draws upon her understanding of the universalities of human nature to explore the ageless issues of evil, suffering, and the indomitable will of the human spirit.
Synners are synthesizers - not machines, but people. They take images from the brains of performers, and turn them into a form which can be packaged, sold and consumed. This book is set in a world where new technology spawns new crime before it hits the streets.
In SYNNERS the line between technology and humanity is hopelessly slim; the human mind and the external landscape have fused to the point where any encounter with reality is incidental.
A classic novel from one of the founders and mainstays of the cyberpunk movement
In 1878, two young stage magicians clash in the dark during the course of a fraudulent seance. From this moment on, their lives become webs of deceit and revelation as they vie to outwit and expose one another.
Their rivalry will take them to the peaks of their careers, but with terrible consequences. In the course of pursuing each other's ruin, they will deploy all the deception their magicians' craft can command--the highest misdirection and the darkest science.
Blood will be spilled, but it will not be enough. In the end, their legacy will pass on for generations...to descendants who must, for their sanity's sake, untangle the puzzle left to them.
Paula Mendoza is called upon to mediate beween the Styths and the Martians. Her initial meetings with the Styth warlord and his unruly followers are not promising, but when she adopts a less conventional approach the consequences are considerable.
Francis Conway is Swill - one of the millions in the year 2041 who must subsist on the inadequate charities of the state. Life, already difficult, is rapidly becoming impossible for Francis and others like him, as government corruption, official blindness and nature have conspired to turn Swill homes into watery tombs. And now the young boy must find a way to escape the approaching tide of disaster.
The Sea and Summer, published in the US as The Drowning Towers is George Turner's masterful exploration of the effects of climate change in the not-too-distant future. Comparable to J.G. Ballard's The Drowned World, it was shortlisted for the nebula and won the Arthur C. Clarke Award.
Winner of the Arthur C. Clarke Award for best novel, 1988
The stunning continuation of the epic adventure begun in Hyperion. On the world of Hyperion the mysterious Time Tombs are opening. And the secrets they contain mean that nothing--nothing anywhere in the universe--will ever be the same.
It is the 29th century and the universe of the Human Hegemony is under threat. Invasion by the warlike Ousters looms, and the mysterious schemes of the secessionist AI TechnoCore bring chaos ever closer.
On the eve of disaster, with the entire galaxy at war, seven pilgrims set fourth on a final voyage to the legendary Time Tombs on Hyperion, home to the Shrike, a lethal creature, part god and part killing machine, whose powers transcend the limits of time and space. The pilgrims have resolved to die before discovering anything less than the secrets of the universe itself.
An SF novel about vampires...
Robert Neville is the last living man on Earth... but he is not alone. Every other man, woman and child on the planet has become a vampire, and they are hungry for Neville's blood.
By day he is the hunter, stalking the undead through the ruins of civilization. By night, he barricades himself in his home and prays for the dawn.
How long can one man survive like this?
Walter M. Miller's acclaimed SF classic A Canticle for Leibowitz opens with the accidental excavation of a holy artifact: a creased, brittle memo scrawled by the hand of the blessed St Leibowitz, that reads: "Pound pastrami, can kraut, six bagels--bring home for Emma." To the Brothers of St Leibowitz, this sacred shopping list penned by an obscure, 20th-century engineer is a symbol of hope from the distant past, from before the Simplification, the fiery atomic holocaust that plunged the earth into darkness & ignorance. As 1984 cautioned against Stalinism, so 1959's A Canticle for Leibowitz warns of the threat & implications of nuclear annihilation. Following a cloister of monks in their Utah abbey over some six or seven hundred years, the funny but bleak Canticle tackles the sociological & religious implications of the cyclical rise & fall of civilization, questioning whether humanity can hope for more than repeating its own history. Divided into three sections--Fiat Homo (Let There Be Man), Fiat Lux (Let There Be Light) & Fiat Voluntas Tua (Thy Will Be Done)--Canticle is steeped in Catholicism & Latin, exploring the fascinating, seemingly capricious process of how & why a person is canonized.--Paul Hughes
The classic tale of the devastating consequences of playing God.
Brilliant, driven Victor Frankenstein has at last realized his greatest ambition. The scientist has succeeded in creating intelligent life. But when his creature first stirs, Frankenstein realizes he has made a monster. And, abandoned by its maker and shunned by everyone who sees it, the Doctor's creation sets out to destroy him and all that he holds dear.
Mary Shelley's FRANKENSTEIN remains one of the greatest horror stories ever written, a book that chillingly captures the unforeseen terror of playing God. And the heart-stopping fear of being pursued by a powerful, relentless killer.
Odd John is the story of a mutated superman - a young man who must accept that he is different, and decide what to do with his gifts.
In this pulse-quickening novel, Alfred Bester imagines a future in which people "jaunte" a thousand miles with a single thought, where the rich barricade themselves in labyrinths and protect themselves with radioactive hit men - and where an inarticulate outcast is the most valuable and dangerous man alive. "The Stars My Destination" is a classic of technological prophecy and timeless narrative enchantment by an acknowledged master of science fiction.
Told with deadpan humour and bitter irony, Kurt Vonnegut's cult tale preys on our deepest fears of Armageddon. Dr Felix Hoenikker, one of the founding fathers of the atomic bomb, ha left a deadly legacy. For he is the inventor of ice-nine, a lethal chemical capable of freezing the entire planet. The search for its whereabouts leads to Hoenikker's three eccentric children, to a crazed dictator, to madness. Hoenikker's death-wish comes true when his last, fatal, gift brings about an end that, for all of us, is nigh.
THE AFFIRMATION is a compulsive and original novel of an autobiography that isn't - partly a thriller, partly a haunting study of schizophrenia, it is the mark of one of Britain's finest novelists at the very height of his powers.
Peter Sinclair is tormented by bereavement and failure. In an attempt to conjure some meaning from his life, he embarks on an autobiography, but he finds himself writing the story of another man in another, imagined, world, whose insidious attraction draws him even further in ...
Arthur C. Clarke's classic in which he ponders humanity's future and possible evolution.
When the silent spacecraft arrived and took the light from the world, no one knew what to expect. But, although the Overlords kept themselves hidden from man, they had come to unite a warring world and to offer an end to poverty and crime. When they finally showed themselves it was a shock, but one that humankind could now cope with, and an era of peace, prosperity and endless leisure began. But the children of this utopia dream strange dreams of distant suns and alien planets, and begin to evolve into something incomprehensible to their parents, and soon they will be ready to join the Overmind . . . and, in a grand and thrilling metaphysical climax, leave the Earth behind.
Contains: Helliconia Spring, Helliconia Summer, Helliconia Winter.
A vast world where the seasons last tens of thousands of years - the classic SF epic of worldbuilding.
Helliconia is a planet that, due to the massively eccentric orbit of its own sun around another star, experiences seasons that lasts eons. Whole civilisations grow in the Spring, flourish in the Summer and then die in the brutal winters. The human-like inhabitants have been profoundly changed by their experience of this harsh cycle.
In orbit above the planet a terran mission struggles to observe and understand the effects on society of such a massive climatic impact.
Massive, thoroughly researched, minutely organised, full of action, pulp references and deep drama this is a classic trilogy.
i • Dangerous Visions (cover) • (1967) • interior artwork by Diane Dillon and Leo Dillon (variant of Cover: Dangerous Visions)
xi • Introduction (Dangerous Visions) • essay by Adam Roberts
xv • Foreword: Year 2002 (Dangerous Visions) • (2002) • essay by Michael Moorcock (variant of Foreword: Year 2002 (Dangerous Visions 35th Anniversary Edition))
xvii • Introduction: 2002 (Dangerous Visions) • (2002) • essay by Harlan Ellison (variant of Introduction: Year 2002 (Dangerous Visions 35th Anniversary Edition)
xxii • 1967: Foreword 1 — The Second Revolution • (1967) • essay by Isaac Asimov (variant of Foreword 1-The Second Revolution)
xxix • 1967: Foreword 2 — Harlan and I • (1967) • essay by Isaac Asimov (variant of Foreword 2-Harlan and I)
xxxii • 1967: Introduction: Thirty-Two Soothsayers • (1967) • essay by Harlan Ellison (variant of Thirty-Two Soothsayers)
1 • Evensong • (1967) • shortstory by Lester del Rey
11 • Flies • (1967) • shortstory by Robert Silverberg
24 • The Day After the Day the Martians Came • (1967) • shortstory by Frederik Pohl (variant of The Day the Martians Came)
34 • Riders of the Purple Wage or the Great Gavage • (1967) • novella by Philip José Farmer (variant of Riders of the Purple Wage)
114 • The Malley System • (1967) • shortstory by Miriam Allen deFord
125 • A Toy for Juliette • (1967) • shortstory by Robert Bloch
140 • The Prowler in the City at the Edge of the World • (1967) • novelette by Harlan Ellison
170 • The Night That All Time Broke Out • (1967) • shortstory by Brian W. Aldiss
186 • The Man Who Went to the Moon - Twice • (1967) • shortstory by Howard Rodman
199 • Faith of Our Fathers • (1967) • novelette by Philip K. Dick
237 • The Jigsaw Man • [Known Space] • (1967) • shortstory by Larry Niven
254 • Gonna Roll the Bones • (1967) • novelette by Fritz Leiber
280 • Lord Randy, My Son • (1967) • shortstory by Joe L. Hensley
298 • Eutopia • (1967) • novelette by Poul Anderson
320 • Incident in Moderan • [Moderan] • (1967) • shortstory by David R. Bunch
328 • The Escaping • (1967) • shortstory by David R. Bunch
334 • The Doll-House • (1967) • shortstory by James Cross
358 • Sex and/or Mr. Morrison • (1967) • shortstory by Carol Emshwiller
372 • Shall the Dust Praise Thee? • (1967) • shortstory by Damon Knight
379 • If All Men Were Brothers, Would You Let One Marry Your Sister? • (1967) • novella by Theodore Sturgeon
428 • What Happened to Auguste Clarot? • (1967) • shortstory by Larry Eisenberg
436 • Ersatz • (1967) • shortstory by Henry Slesar
445 • Go, Go, Go, Said the Bird • (1967) • shortstory by Sonya Dorman
454 • The Happy Breed • (1967) • shortstory by John Sladek [as by John T. Sladek ]
476 • Encounter with a Hick • (1967) • shortstory by Jonathan Brand
483 • From the Government Printing Office • (1967) • shortstory by Kris Neville
492 • Land of the Great Horses • (1967) • shortstory by R. A. Lafferty
504 • The Recognition • (1967) • shortstory by J. G. Ballard
518 • Judas • (1967) • shortstory by John Brunner
530 • Test to Destruction • (1967) • novelette by Keith Laumer
559 • Carcinoma Angels • (1967) • shortstory by Norman Spinrad
574 • Auto-da-Fé • (1967) • shortstory by Roger Zelazny
584 • Aye, and Gomorrah . . . • (1967) • shortstory by Samuel R. Delany
One of the most influential anthologies of all time returns to print, as relevant now as when it
was first published Anthologies seldom make history, but Harlan Ellison's 1967 collection of science fiction stories is a grand exception. Along with Moorcock's New Worlds, it defined the New Wave movement. Dangerous Visions set an almost impossibly high standard, as more than a half dozen of its stories won major awards—not surprising with a contributors list that reads like a who's who of 20th-century SF.
By 2021, the World War has killed millions, driving entire species into extinction and sending mankind off-planet. Those who remain covet any living creature, and for people who can't afford one, companies have built incredibly realistic simulacrae: horses, birds, cats, sheep. They've even built humans.
Emigrées to Mars receive androids so sophisticated it's impossible to tell them from true men or women. Fearful of the havoc these artificial humans could wreak, the government bans them from Earth, but when androids don't want to be identified, they just blend in. Rick Deckard is an officially sanctioned bounty hunter whose job is to find rogue androids and retire them, but cornered, androids tend to fight back--with deadly results.
A seminal collection of forgotten classics, many published in Michael Moorcock's influential New Worlds.
The Caltraps of Time is David I. Masson's only published book of fiction, a collection of short stories, most of which made their first appearance in New Worlds SF during the 1960s under the legendary editorship of Michael Moorcock.
An apocalyptic battle at the edge of the unknown, the deadly fascination of voracious magma, a world where the weather expresses itself as mood. These are only some of the themes tackled with superb scientific speculation by David I. Masson.
A Victorian scientist develops a time machine and travels to the year 802,171 AD. There he finds the meek, child-like Eloi who live in fear of the underground-dwelling Morlocks. When his time machine goes missing, the Traveller faces a fight to enter the Morlocks' domain and return to his own time.
THE TIME MACHINE remains one of the cornerstones of science-fiction literature and has proved hugely influential.
Set in a post-apocalyptic England, RIDDLEY WALKER tells the tale of one twelve year old boy and his journey through the ruins of civilisation. After the death of his father in an accident, Riddley must become a man. But his inquiring mind and strange ways set him apart from his people, and when he discovers a relic of the old time, he sets in motion a chain of events that may well lead to the end of the world (again). Written in a remarkable and rewarding language, RIDDLEY WALKER is a tour-de-force of imagination, history and psychology. Challenging and rewarding, this is a book that repays rereading again and again. There's a reason why the reviews were so good, and why so many authors cite it as an inspiration. It is, quite frankly, a masterpiece.
One Thursday lunchtime Earth is unexpectedly demolished to make way for a new hyperspace bypass. For Arthur Dent, who has only just had his house demolished that morning, this is already more than he can cope with. Sadly, however, the weekend has only just begun. And the Galaxy is a very, very large and startling place indeed.
Contents (view Concise Listing)
viii • Timeline from The Instrumentality of Mankind • (1975) • essay by John J. Pierce [as by J. J. Pierce ]
xi • Cordwainer Smith: The Shaper of Myths • (1975) • essay by John J. Pierce [as by J. J. Pierce ]
1 • Scanners Live in Vain • [The Instrumentality of Mankind] • (1950) • novelette by Cordwainer Smith
40 • The Lady Who Sailed the Soul • [The Instrumentality of Mankind] • (1960) • novelette by Cordwainer Smith and Genevieve Linebarger [as by Cordwainer Smith ]
67 • The Game of Rat and Dragon • [The Instrumentality of Mankind] • (1955) • shortstory by Cordwainer Smith
84 • The Burning of the Brain • [The Instrumentality of Mankind] • (1958) • shortstory by Cordwainer Smith
95 • The Crime and the Glory of Commander Suzdal • [The Instrumentality of Mankind] • (1964) • shortstory by Cordwainer Smith
114 • Golden the Ship Was - Oh! Oh! Oh! • [The Instrumentality of Mankind] • (1959) • shortstory by Cordwainer Smith and Genevieve Linebarger [as by Cordwainer Smith ]
124 • The Dead Lady of Clown Town • [The Instrumentality of Mankind] • (1964) • novella by Cordwainer Smith
210 • Under Old Earth • [The Instrumentality of Mankind] • (1966) • novelette by Cordwainer Smith
257 • Mother Hitton's Littul Kittons • [The Instrumentality of Mankind] • (1961) • novelette by Cordwainer Smith
283 • Alpha Ralpha Boulevard • [The Instrumentality of Mankind] • (1961) • novelette by Cordwainer Smith
315 • The Ballad of Lost C'Mell • [The Instrumentality of Mankind] • (1962) • novelette by Cordwainer Smith
338 • A Planet Named Shayol • [The Instrumentality of Mankind] • (1961) • novelette by Cordwainer Smith
Private William Mandella is a reluctant hero in an interstellar war against an unknowable and unconquerable alien enemy. But his greatest test will be when he returns home. Relativity means that for every few months' tour of duty centuries have passed on Earth, isolating the combatants ever more from the world for whose future they are fighting.
Charlie Gordon, IQ 68, is a floor sweeper, and the gentle butt of everyone's jokes, until an experiment in the enhancement of human intelligence turns him into a genius. But then Algernon, the mouse whose triumphal experimental tranformation preceded his, fades and dies, and Charlie has to face the possibility that his salvation was only temporary.